Cinematic storytelling at the edge of the possible
A darkly comic short about a sphinx cat, a meerkat, and an exchange that spirals into the absurd. Built in 48 hours for the Runway Gen:48 2025 competition. Proof that AI filmmaking can be funny, strange, and completely its own thing.
A surreal short film about memory and the spaces it leaves behind. A home unravels. Slowly, then completely. Shot entirely in AI, built in 48 hours for the Runway Gen:48 Aleph Edition.
A fake ad for Crown & Quill, a product that doesn't exist, for a problem that does. Built for Runway's BigAD Contest brief: Products That Don't Exist. What starts as a simple pitch for a bookmark becomes something stranger and more cinematic than any real ad would dare to be.
A film built around a question with no clean answer. Identity, mythology, and the uncanny, shot entirely through generative AI. Recognised by Higgsfield with an Honorable Mention for pushing what the platform can do in service of a real narrative.
Co-created with Róbert Farkas and Balázs Dömötör.
AI motion visuals for the Samsung TV Plus channel rebrand, produced in collaboration with Silk Factory. Creating generative sequences for broadcast ad slates. At a time when the AI video toolset was still raw, which made the constraints as interesting as the brief.
A 30-second campaign film for PreVital that flips the script: it's the cat who heads to the office, sits through meetings, watches the clock, and longs to get home. A gentle argument against the myth that cats don't miss us. Made with feat. agency, AI-produced from brief to final delivery.
I direct films that couldn't exist before now, built from generative models, cinematic instinct, and seventeen years of visual craft.
Based between London and Budapest, I work at the intersection of AI technology and storytelling, directing projects from first concept to final frame. As a Creative Partner at both Runway and Dreamina, I develop cinematic commercial campaigns, branded content, and experimental films using advanced AI workflows combined with traditional production thinking.
My background is in fashion filmmaking and cinematography, with 17 years across 3D, AR, and immersive VR, including a residency at the Venice Biennale College Cinema VR programme. That depth is what separates a generated clip from a considered film.
Selected as a Creative Partner by both Runway and Dreamina, part of a small group of artists shaping the frontier of AI filmmaking.